朱卿

1
篇名：我国第一个评述拉奥孔的女性－论单士厘的美学见解
作者：马昌仪
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
起始页-结束页：1-19
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

2
篇名：台湾闽南生命礼俗谚语的文化诠释
并列篇名：The Cultural Interpretations for Taiwanese Min Nan Proverbs Related to Rites of Life
作者：林淑慧(Shu-Hui Lin)
关键字：谚语;生育;婚姻;丧葬;礼仪;台湾文化roverb;Birth and Passage;Wedding;Funeral;Rite;Taiwanese Culture
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
中文摘要：台湾闽南谚语多具有口传文学的特色与功能，展现底层社会文化的多元面貌，实为建构台湾文化的基础盘石与丰沃土坏。本论文应用社会学家梵基尼（Amold Van Gennep）「通过礼仪」（Rite of Passage）的理论概念，如：象徵分离的仪礼（rite of separation）、象徵过渡的仪礼（rites of transition）、以及象徵结合的仪礼（rite of incorporation）。将台湾生命礼俗相关的闽南谚语，依类型加以诠释。全文以生命过渡阶段的礼俗与民间文学互相对话为主轴，分从：（一）生育及成年习俗：从生产阶段，到出生後的满月、三朝、收唾、度晬以及成年礼等习俗。（二）婚姻习俗：分成婚前礼、亲迎礼、婚後礼加以诠释，如「六礼齐到」、跨越门槛、「过火炭」，或是婚後「头转客」等仪式。（三）丧葬习俗：从临终与治丧仪式中的「拼厅」、「放手尾钱」，到作七（作旬），以及葬礼中的「弄饶」等仪式。期望以生命礼俗谚语为题材，分析其主题特色或文化象徵，并能诠释出台湾闽南谚语丰盈的文化意涵。
英文摘要：Most of the Taiwanese Min Nan proverbs display the characteristics and functions of oral literatures. They present the multi-dimensional features of underclass culture. and in fact, they are the bedrock and rich soil for the construction of Taiwanese culture. The theoretical concepts of ”Rite of Passage” by sociologist Anold Van Gennep, for examples, rites of separation, rites of transition and rites of incorporation, are applied in this thesis to interpret the Taiwanese Min Nan proverbs related to the rites of life by categories. The framework of the thesis is built on an interconnection between the rites of various stages in life and folk literatures. i.e. (1) The Rites of 8irth and Passage - the rites from the labor stage to baby's completion of its first month, the third day after birth, the stopping of baby's saliva, the first birthday and the rite of passage. (2) Wedding Rites - This category covers engagement rites, main wedding rites and post-wedding rites. Descriptions for the rites such as ”presentation of six rites”, leaping over the threshold, ”leaping over the burning charcoal”, and ”returning to parents' home” after wedding are included. (3) Funeral Rites- This category includes the rites of ”moving to the living room” at the point of death, ”putting money in the sleeves” before placing body in the coffin, the seventh (tenth) day rites and ”adjusting the bell' in the funeral etc. Through the study of proverbs related to rites of life, this thesis intends to analyze their theme characteristics or cultural symbolic meanings, and to interpret the rich cultural significance of Taiwanese Min Nan dialect.
起始页-结束页：111-144
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

3
篇名：康原作品与民间文学
并列篇名：Kang-Yuan's Works and Folk Literature
作者：陈益源;林爱娥
关键字：八卦山;囝仔歌;康原;彰化;谚语;赖和;Mt. BaGua;Children's Song;Kang Yuan;Changhuaroverb;Lai He
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
中文摘要：彰化作家康原（1947-），芳苑乡人，曾任赖和纪念馆创馆馆长、八卦山文学步道的筹备委员，1996年成立康原文史工作室。康原早期的写作以抒情散文为大宗，及至1984年《最後的拜访》出版後，他一改以往的写作风格，开始深耕乡土大地，由吟风转向为采风，以逐步踏查的田野调查方式，努力去寻找台湾民间的文化根源。无论是囝仔歌谣的采录与创作，民俗谚语的记录与应用，都可以窥见康原作品与民间文学关系深厚，并展现出他有意以民间文学做为重现在地历史及人文精神的企图。本文拟就康原作品，看他怎样自民间文学取材而又将文学作品回馈给民间，看他如何继承彰化作家赖和关怀民间文学的传统精神并且加以发扬光大。
英文摘要：Writer Kang Yuan (1947-) was born in Fangyuan Village, Changhua. He used to serve as the vice-president of Lai He Memorial Museum, as well as the member of preparatory committee of Mt. BaGua's ”Literature-Alameda”; and founded Kang Yuan Literature Atelier in 1996. Kang Yuan's earlier period of writing is oriented toward lyrical prose. It is not until the publication of 'Last Visit' (1984) has he transformed into a research into pastoral regionalism. Kang Yuan turns from his idiosyncratic depiction of native landscape to the reservation of regionalism. In doing the first-hand field investigation inch by inch, Kang Yuan spends effort seeking out the regionalist cultural origins in Taiwan. Kang Yuan's intimacy with folk literature is then easily identified with his gathering and composition of children's song, records and pragmatism of folklore proverb. Consequently, these contributions also recall his ambition to recover both the geographical and historical regionalism and humanism in terms of folklore literature. This paper proposes to trace Kang Yuan's works in order to reinvestigate how the author gains materials from folk literature and feedback to the folk. More specifically, the study will reflect how he inherits Lai He's concern with folk literature, and thereby enhances, glorifies it.
起始页-结束页：145-157
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

4
篇名：赛夏族矮灵祭所反映的粟作神话信仰
并列篇名：Myth of Millet Belief Reflected in Saisiat's Pas-ta'ai (Ceremony of Dwarf Spirit)
作者：鹿忆鹿(Yi-Lu Lu)
关键字：矮灵祭;粟作神话;小米;Saisiyatas-ta'ai;Myth of millet
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
中文摘要：台湾原住民处於南岛民族的最北边，纬度最高，比起其他族群更有适合小米生长的地理条件，而属於太平洋的岛屿有隔绝的环境，免於受到其他族群文化的干扰，使得小米文化被保存下来，而且呈现出比较纯粹的小米祭仪过程。虽然小米种植已经渐渐减少，有些祭典仪式仍然可以见出他们对粟作神话信仰的执着情况。即使主要农作已经被陆稻取代，但播种祭时主祭还是必须整好一块祭田，带着晒乾的小米种子，面向东方播撒小米，做为该年农事开始的象徵，这就是赛夏族。不只是播种祭、祈天祭，矮灵祭也不例外，在在看到小米身影，反映神话信仰。赛夏长老有关矮灵祭来源的说法，与小川尚义、浅井惠伦的调查一样，以为矮人教赛夏族人种粟，举行矮灵祭与庆祝粟的收成应有某种程度的关联。矮灵祭祭典过程中，不论任何一个环节，小米酒、小米麻糬、小米饭都与小米的信仰彼此呼应。矮灵祭所反应的是一种小米神话祭仪。或者说，原住民许多族群都有关於粟种的神话或祭仪，而矮灵祭在某种程度上也是极有特色的一个小米祭仪观察指标。而对赛夏族或者所有原住民来说，小米神话祭仪可能是他们保持极古老极传统粟作文化的证明。笔者希望藉由矮灵祭探讨赛夏族的粟作神话信仰，并观察原住民的小米祭典仪式，试图进一步了解原住民在南岛语族中保存小米耕种仪式的独特性。
英文摘要：In the process of Saisiat's Pas-ta' ai, Millet wine, millet mash, and steamed milIet are all connected with the belief of millet cultivation. Pas-ta' ai reflects the mythological ceremony of millet. Many aboriginal races have myths or ceremonies related to millets. Pas-ta' ai is a distinctive indication of millet ceremony.Through the discussion of the millet belief in Saisiat's Pas-ta' ai, this study is aimed to observe the millet ceremony of the aborigines and investigate the uniqueness of the millet cultivation ceremony preserved by the aborigines of the Austronesian.
起始页-结束页：159-185
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

5
篇名：「我」与「非我」的对话一周作人文化思想中的民族想像与世界图像
并列篇名：The Discourse of Non-me and Me Chou Tsou Zen's Nationality Imagination and World Picture on His Culture Philosophy
作者：周志煌(Chou-Chih Huang)
关键字：周作人;人类学;言志;载道;民族想像;世界图像;Chou Tsou Zen;Anthropologyersonal wills;Carry Chinese Culture Doctrines (Dao);the Man of High Ambition;Nationality magination;World Picture
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
中文摘要：在五四新文化运动之中，周作人运用人类学的「对话」观点，建立起以「人」为本位的思考方式，这一「世界图像」的描绘，是超越於个人、社会、国家、民族，进一步来说，更大的群体：「世界」，是由全体人类所组成，它「涵摄」、「包容」了个别的人、社会、国家、民族，而不是在这些个别的单位之外，另举一个「对立」的世界来作比较。这样的文化思维，让周作人成为五四文人中，最能深入异文化的探索（诸多民俗项目的搜集调查），提出对於中西文化对话新观点的领航者。往昔学者多以「隐士」与「叛徒」两种身分来说明周作人在文学与政治上的立场，这样的论点显然只见其「迹」不见其「本」；只见其「树」不见其「林」。「隐士」之名，是着重於周作人散文「言志」的个人倾向与抒情小品的文章风格；「叛徒」是就日本侵华期间，周作人留於北平从事伪职，所得到的汉奸污名。这两种看似不同的身分认定，其实皆有一共同交集：即以「民族」群体为中心。周作人既不以文学作为社会革命、改造国民精神的工具（载道）；也不抱持汉贼不两立的民族大义，清楚的在日华关系上作切割。也因此，薄淡的民族意识，让周作人在两岸现代文学、思想史上，成为鲁迅、胡适光芒显耀底下，一个充满争议、命运乖讹，却又留下比鲁迅、胡适更多文学、文化思想、资产的一个人物。若从周作人以「人」为单位所建立起来的平等对话管道及世界文化图像来看，在文学上，其对於生活经验中小事物的描摹，亦可见博学的名物文化之汇流。在政治上，日本的侵华行为，在周作人看来，就如同过去中国历史中，蒙、满统治中原一般，异族文化终究会在汉化的基础上，从对峙愈趋於调和。
英文摘要：Chou Tsou Zen has some evaluation on Modem Chinese Culture Developments: First, he is the man of High Ambition. Second, he is tries to look for the connections of Late-Ming Dynasty with Modem Literatures from the self-developments of Chinese Literature. The third, he never judges the good or bad in comparison about Chinese with Western instead he takes over it on Discourse.Discourse makes Chou Tsou Zen to establish the ”World Picture” ”Human Being” fundamental pensee which beyond person, society, culture and nation Without the heavy burden of nationality make him become a very abundant on Modem Chinese Culture and Literature both In Taiwan and China.
起始页-结束页：21-44
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

6
篇名：孟姜女的象徵研究
并列篇名：A Study on Symbolism of Meng Jiangnv
作者：祝秀丽(Xiu-Li Zhu)
关键字：孟姜女故事;心理学;象徵;女性;the tales of Meng Jiangnv;psychology;symbolism;female
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
中文摘要：多数学者认为，孟姜女故事在唐代发生形态转变之後，主题思想凸现为民众反对残酷的筑城徭役。在这一主题的统领之下，对女主人公行动和命运的意义的关注亦是自顾颉刚以史学家的视角研究之後一直贯穿的重要方面。作者将聚焦于绮丽的幻想情节中点缀在孟姜女人生之途的富有意味的象徵：孟姜女奇异出生、两家共养，范喜良误闯花园，她以身相许，之後哭倒长城、抗秦投水，甚至在死後也能化生鱼类，精魂不灭。通过民俗学与心理学的方法，本文从所搜集的30则文本资料的叙事结构和象徵元素的解析中揭示表层叙述话语背後承载着的关於女性成长的文化心理和价值观念。
英文摘要：A large number of scholars have noted that the theme of the tales of Meng Jiangnv has shown the people opposed cruel corvee of building the Great Wall under the First Emperor's rule since main morphological transfomation of this tale type was finished in the Tang Dynasty. Furthermore, it has become an important aspect to take heroine's action and fate into account after Gu Jiegang first researched the tales in his historical perspective. The author focuses on many meaningful symbols with which Meng Jiangnv's whole life was decorated in the colorfully fantastic polts of the tales: Meng Jiangnv born in a calabash, and raised by two families, Fan Xiliang's unintended intrusion into her parents' garden, her engaging herself to him, a section of the collapsed wall because of her bitter wail, her rejecting the First Emperor's proposal, and committing suicide by jumping into the sea (or a river), even changing into fish and getting eternal life, etc. By methods of folklore and psychology, and based on the analysis on narrative structure and symbol elements of 30 collected texts of Meng jiangnv, the anther interprets the cultural psychology and the traditional values in the development of females' life which underlay the external narrative discourses.
起始页-结束页：45-69
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

7
篇名：衍生与附会一中国「龙生九子」形象探析
并列篇名：Derivation and Strain- The Image Analysis of "the Dragon Gives Birth to Nine Sons" in China
作者：李柏翰(Bo-Han Lee)
关键字：龙生九子;龙种;龙的形象;衍生;附会;龙纹饰;The dragon gives birth to nine sons;Dragon's son;Dragon'simage;Derivation;Strain;Dragon's stripes
期刊/会议论文集名称：民间文学年刊
卷期：1期
出版年：2007
中文摘要：此文以中国古代着述文献记载「龙生九子」之说为范畴，其目的在於梳理辨正「龙生九子」一说的流传讹误，并进而探析其形象的深层涵义。对前人未能以确切文献论述该说之现象进行反思，而着眼於阐释龙子形象在文化发展中应属之地位，并以多维视野剖析其发展演化的历程，论证形象概念的形成经过，再对各类型龙子形象逐一探析。此文首先对「龙生九子」一说的由来进行讨论，并进行文献记录的比对与分析，而对其流传阶段之差异提出看法；其次论述「九子」之数的虚实之意与其形象的衍生和附会，推求出「龙生九子说」的形成经过；三则透过归纳与统整之後， 对「龙子」的各式类型进行形象涵义的探析；最後以前述探析形象涵义为基础，阐明「龙生九子」说乃是一种龙形的演变与龙纹的散布。
英文摘要：This gentle with document records in Chinese ancient times is to state the saying of ”the dragon gives birth to nine sons” for the category. The purpose is to distinguish the saying of ”the dragon gives birth to nine sons” from spreading erroneously, and then analyzes its deeper meaning of image. It’s to review the phenomenon forefathers fail to expound the saying with precise document records, put an eye on explaining which position the image of dragon's son should belong to in the cultural development, analyze the developed and evolved courses with the multidimensional visions, prove the forming process of image concepts, and then analyze all kinds of images of dragon's son one by one. At first, the gentle is to discuss the origin of the saying of ”the dragon gives birth to nine sons,” continues to analyze and compare with document records, and suggests the opinions according to the difference out of the spreading stage. Second, it describes the actual situation on the number of ”nine sons” and its image of derivation and strain, and derive out the forming process on the saying of ”the dragon gives birth to nine sons.” Third， after concluding and summing up, it’s to carry on the analysis of the meaning out of images of dragon's son in various types. In final, to expound the saying of ”the dragon gives birth to nine sons” is the evolution of a kind of dragon's shape and spreading of dragon's stripes based on the meaning of image discussed and analyzed by above.
起始页-结束页：71-109
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

朱卿

1
篇名：越南清明节的民俗与传说
并列篇名：Customs and Legends of Vietnam's Tomb Sweeping Day
作者：陈益源(Yi-Yuan Chen);林珊妏(Shan-Wen Lin)
关键字：越南;清明节;寒食节;三月节;民俗;传说;Vietnam;Tomb-Sweeping Day;Cold Food Day;Custom;Legend
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：中越文化交流自古以来未曾停歇，越南对於中国文化的接受与转化，不仅表现在政治制度、伦理思想、文学艺术等层面，节庆民俗亦然。在岁时节庆方面，越南也有春节、清明节、端午节、中元节等节日，但节俗意义和举办重点已与中国有所不同，尤其随着时代环境的变迁，越南本国民俗也产生了今昔的差异。本文主要探讨关於越南清明节的民俗（如祭祀、踏青、食俗、禁忌）与传说，藉以追寻越南受到中国清明节俗影响的痕迹，并体现越南本国的民俗特质，以彰显中越文化之间的传承共性与变迁特色。此外，越南的三月节俗活动中，有些虽未以清明节名之，但其庆典内容与传说故事仍透露出它们跟中国清明节之间存有微妙的关连，因此整理分析越南其他三月节的民俗与传说，也是本文的另一重点。
英文摘要：The communication and exchanges between Chinese and Vietnamese cultures has been going on since ancient times. Chinese culture not only influenced Vietnam's current political and ethical systems, literature and arts, but also its festivals and customs, such as Tomb-Sweeping Day, Dragon-Boat Festival, Ghost Festival and so on However, the meaning and focus of these festivals are quite different from those of the Chinese. The article investigate the customs associated with Vietnam's Tomb-Sweeping Day, such as worshiping, outings, food customs, taboos and legends. From these customs, we could trace how Vietnam was influenced greatly by Chinese Tomb-Sweeping Day, and yet still kept the features of its own customs. Furthermore, among Vietnam's festival activities in March, some are related to Chinese Tomb-Sweeping Day, even though they are not included in the official list of related actions for that day. Therefore, to analyze all of Vietnam's customs and legends in March is another main aim of this article.
起始页-结束页：1-21
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

2
篇名：冥界的无「归」女性发展－以台湾闽南俗语反映的民俗现象观察
并列篇名：Unmarried Women's "Gui" Development in Underworld-The Folk Custom Phenomenon Reflected With Taiwanese Proverbs
作者：游淑珺(Shu-Chun Yu)
关键字：女有归;生命礼仪;禁忌;孤娘;冥婚;女鬼信仰;nuy you gui;rites de passage;taboo;koo^1 nioo^5;human-ghost marriage;female ghost belief
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：俗语说：「人人嫁尪传後嗣」，在「男有分，女有归」的汉文化影响下，台湾社会中的闽南女性多依循着归嫁的方向前进。自出生开始，女性便为了未来的「归」展开学习，包含家内事务的训练以及人际关系的应对学习等，在归嫁时刻到来前做好准备。由生命礼仪的过关仪式来看，能「归」与否成为女性生命开展的重要关卡，一旦顺利通过了「女有归」的考验，代表着她取得了新的社会身分－人妻并享有相符的权利，才能继续迈向下一道通关考验。只是生命无常，对於尚未通过「归」机制的身分转换但已不幸天逝的「孤娘」而言，在普遍「厝内无嗣姑婆」的民俗观念下，女性孤魂要如何在幽冥世界中得到安顿？此外，从民俗学的通过理论来看，这未「归」天逝的女性正处於过渡阶段中的、尚未取得社会身分的禁忌对象，具有威胁性且必须加以妥善处置。本文藉由台湾闽南俗语中反映的民俗现象观察，分析台湾民间对於孤娘的处理情形，包含普遍的「冥婚」习俗到特殊的姑娘神的女鬼信仰发展，并就此中所呈现的差异变化－遵循到逸出「归」体制，探讨闽南族群传统性别观的松动现象。
英文摘要：Taiwanese proverbs said ”lang^5 lang^5 ke^3 ang^1 thuan^5 hio^7 Su^7”, reflecting in Chinese Han Cultural of ”nan you fen, nuy you gui”，women in the Minnan society of Taiwan advance in accordance with following the direction that marries. The female is starting to learn how to achieve the ”gui” for future since her birth, including the house training and readily reaction to interpersonal relationships, to prepare ready before coming at the moment of marrying. From the view in going through the ”rites de passage”, ”gui” becoming to the most important stage of her life's extension, once going through the test of ”nuy you gui” successfully, means getting a new social identity-the wives of people, enjoying the accordance of rights, for a next step to a further stage continuously. Unfortunately, life is variable, for the young-dead girl, ”koo^1 nioo^5 a^2”，who even no chance to change her social identity before her dead, in the common folkways concept of ”chu^3 lai^7 bu^5 su^7 koo^5 po^5，how can she settle down the in the nether world? In addition, from view of life ceremonial, a social the young-dead women that die right in the transition stage as a taboo target not getting a social identity yet, who has threatening nature and must be dealt properly with. This text takes examples with the folk custom phenomenon reflected with Taiwanese proverbs, analyze the folk treatment situation to koo^1 nioo^5, including the general custom of ”human-ghost marriage” to a special conviction of ”female ghost belief'. Refer to the difference and variation appearing at this point, adhering to the system of ”gui”, probe into the loosing situation of the traditional gender observation in the Taiwan's Minnan group.
起始页-结束页：131-162
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

3
篇名：从歌仔册《最新张绣英林无宜相褒歌》看台湾人与台湾事
并列篇名：A Romance in the Taiwanese Ballads "Tsue-sim Tiun-siu-ing Lim-bu-gi san-po-kua"
作者：柯荣三(Lng-Sam Kua)
关键字：张秀英;林无宜;歌仔册;相褒;闽南说唱;Tiun-siu-ing(张绣英);Lim-bu-gi(林无宜);kua-a-tsheh(歌仔册);san-po(相褒);min-nan shuo-chang(闽南说唱, Traditional narrating and singing arts in the southern part of Fukien[福建]Province)
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：《最新张绣英林无宣相褒歌》（以下简称《张秀英歌》）者，敷唱台北文山地区一段有妇之夫林无宜与有夫之妇张秀英暗通款曲的「畸情」故事。就出版的地点来说，由於歌仔册《张香英歌》版本众多，辗转流传於福建与台湾之间，引起学者注意。本文首先厘清《张秀英歌》厦门、上海、台湾三种刊本的关系；其次，针对歌仔册所叙内容，辅以文献证据，挖掘台湾早年社会背景；最後，分析歌仔先意欲透过《张秀英歌》这段畸情故事，经由歌仔用「相褒」结构此一文学手法，传递出何种台湾民间对於不伦之恋的价值观。
英文摘要：”Tsue-sim tiun-siu-ing lim-bu-gi san-po-kua” (hereinafter called ”Tiun-siu-ing kua”) was a romance in the Taiwanese ballads. It was a ”un-normal love story” about a single man (Lim-bu-gi, 林无宜) and a married woman(Tiun-siu-ing ,张秀英), which happened around Wen-shan (文山) area in Taipei. There were many editions for ”Tiun-siu-ing kua” between Taiwan and Mainland China. In the first, we have to inquire into the editions which were published in Amoy(厦门), Shanghai(上海) and Taiwan area. In the second, the story in ”Tiun-siu-ing kua” could be seen as a whole new document for Taiwanese early society. Finally, to analyze the ”san-po” (相褒) construction in ”Tiun-siu-ing kua”, we might get what is the folk value for the ”un-normal love story”.
起始页-结束页：163-198
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

4
篇名：泰山民间传说再探
并列篇名：A Follow-up Study on Preparatory Exploration of Mount Tai Folklores
作者：丁肇琴(Zhao-Qin Ding)
关键字：泰山;民间传说;泰山女神;东岳大帝;冯玉祥;Mount Tai;Folklores;the Goddess of Mount Tai;Mount Tai Grand Emperor;Yu-Xiang Feng
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：本文是在〈泰山民间传说初探〉的基础上，对泰山民间传说做进一步的探讨。笔者之前尚未觅得向阳先生主编的《泰山民间故事大观》，获得该书後，更加强了进一步研究泰山民间传说的信念。主文分成三部分，一是对《泰山民间故事大观》体制及旨趣的探讨，就其「忠实记录、慎重整理」的成书过程，及编为七辑的内容加以评述，肯定其实验成果和研究价值，对其分类则有不同看法。其次是泰山民间传说的重心「泰山女神信仰」，选取在〈泰山民间传说初探〉未曾论及的相关传说，分为「教训名人」、「显灵」及「斗法」三项母题加以探析，得出五项结论。第三部分是补充《泰山民间故事大观》未收的传说，包括陶阳先生新探集的东岳大帝的故事，以及笔者在台北访得的两则「泰山老奶奶显灵」传说，从相关资料中搜集到的泰山特产、名人及寺庙传说等，虽是零星片羽，但也可看出泰山的民间传说确实蕴藏丰富。
英文摘要：This paper is written on the basis of a former discourse ”Preparatory Exploration of Mount Tai Folklores” (in Collection of 2006 Seminar on Folk Lore and Folk Literature, the Taipei Wenjin Press, July 2006). The author's faith has been further strengthened in the study of Mount Tai Folklores after acquiring the book of ”Grand Sight of Folk Stories of Mount Tai” edited by Tao Yang. The paper has been divided into three main parts. The first part of the paper concerns the exploration of its system and organization, objectives and interests embodied in the book of ”Grand Sight of Folk Stories of Mount Tai”. The authors will discuss the procedure of the completion of the book, loyally recorded and prudently organized, and the contents filed in seven volumes. The author has been assured of the original creativity and research value of Tao Yang's book. The second part of this paper lays its emphasis on the gravity of Mount Tai Folklores-the belief of Mount Tai Goddess, categorizing into three topics: (1) the teachings toward famous people, (2) the theophany by Mount Tai Grandma and (3) the matches of magic powers. The third part of this paper will discuss those folklores not contained in the Tao Yang's book of ”Grand Sight of Folk Stories of Mount Tai”, including Tao Yang's four newly collected stories about Mount Tai Grand Emperor; the two stories about the theophany by Mount Tai Grandma, collected narratively by the author from two scholars in Taipei; and those folklores collected by the author from the featured Mount Tai products, celebrities, temples and so forth.
起始页-结束页：23-54
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

5
篇名：月中有兔神话探源
并列篇名：Retrace the Myth of "The Rabbit in Moon Palace"
作者：刘惠萍(Hui-Ping Liu)
关键字：月;月兔;神话;阴影;moon;myth;Rabbit in moon palace;the shadow of moon surface
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：本文以「月中有兔」神话为研究对象，以为月中有兔之说实起源於早期人们对於月表有「阴影」像「兔」的观察与想像。文中利用近世出土材料与典籍文献对证，肯定月中有兔之说起源甚早。而在前贤学者对於月中有兔之说的相关解释中，或以为「兔与月的属性相符」；或以为乃「域外移入」，然若从世界各地各民族皆不约而同地产生近似的月亮神话来看，则以「阴影说」最为符合原始神话直观且质朴的思维特色，殆为月中兔神话之形成源始。
英文摘要：The paper researches on the myth of ”The Rabbit in Moon Palace”, I thought that the myth resulted from the primitive people's observation and Imagination about ”the shadow of the moon surface”. This paper making a comparative study of the excavated Chinese texts that were unearthed recently and the traditional Chinese texts, and confirmed the beginning of ”The Rabbit in Moon Palace” was very early. The past researchers about this topic, some people attribute to ”the rabbit” have the same affections with moon, and some people thought this myth emigrated from India. But if we considered that there are many approximate moon myth from the different nationalities of the world, I would thought that ”the shadow of moon surface” conforms to the primitive myth, and it possibly is the source of the myth.
起始页-结束页：55-76
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

6
篇名：佛经「苍鹭运鱼」对中国民间故事的影响
并列篇名："The Heron Transports the Fish" Story from Buddhist Scriptures to China Folktale Influence
作者：梁丽玲(Li-Ling Liang)
关键字：《本生经》;《五卷书》;《故事海》;佛经故事;民间故事;动物故事;"Jataka";"Pabcatantra";"Katha-sarit-sagara";The Buddhist scriptures;Folktale;Animal story
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：佛教经典中蕴含有大量的印度民间故事，这些脍炙人口、想像丰富的故事内容，随着佛教传入中国後，为中国文学注入了不少新鲜的血液，产生了极大的影响。以「苍鹭运鱼」故事类型为例，主要情节为一只苍鹭为了吃鱼，以湖水将乾涸为藉口，欺骗湖里的鱼群，自愿帮忙将鱼一条条衔至另一座湖，却在运送过程中偷偷将受骗的鱼吃掉。後来被螃蟹发现苍鹭的诡计，待苍鹭露出真面目准备要吃牠时，螃蟹紧紧掐住苍鹭的脖子并将牠夹断，替受害的鱼群报仇。这则故事透过佛经不同的传播途径，分别在各地产生不同的变异。本文旨在透过南传巴利文《本生经》，印度的《五卷书》、《故事海》，中国云南、西藏、蒙古等地的民间故事，探讨佛经「苍鹭运鱼」故事的传播与发展，以及对中国民间故事的影响。
英文摘要：In the Buddhist scriptures contains the massive India folk tale, these enjoy great popularity and imagines the rich story content, spreads to China after Buddhism, has poured into many themes for the Chinese literature, Has had the extremely significant influence. The story type of ”the heron transports the fish” as the example, the main plot is a heron in order to eat the fish, will be dry take the lake water as the pretext, in deceit lake fish, the voluntary help a fish strip title to another lake, actually in ships the fish which in the process secretly will be deceived to eat. Afterwards by crab discovery heron's clever trick, waits the heron to reveal the true colors preparation to have to eat the crab, closely pinches heron's neck and clamps breaks, for the fish which suffers injury revenges. This story penetration Buddhist scriptures different dissemination way, separately has the different variation in each place. This paper is for the purpose of south the penetration passing on 巴利 ”Jataka”, Indias ”Pabcatantra” and ”Katha-sarit-sagara”, Places such as Chinese Yunnan, Tibet, Mongolia folk tale, the discussion Buddhist scriptures ”The heron transports the fish” story dissemination and the development, as well as to China folk tale influence.
起始页-结束页：77-96
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

7
篇名：马来西亚福州歌谣《钓鱼郎》之内容书写与流传意义初探
并列篇名：The Study and Significance of Fuzhou Folksong "Dìao Yú Láng" From Malaysia
作者：黄文车(Wen-Chu Huang)
关键字：马来西亚;福州歌谣;钓鱼郎;闽地歌谣;歌仔;联章体;Malaysia;Fú Zhōu Folksong;Dìao Yú Láng;Fú Jiàn folksong;khu-ah;lián zhāng tĭ
期刊/会议论文集名称：民间文学年刊
卷期：2期
出版年：2008
中文摘要：本文立足於域外华人民间文学的研究动机上，进行马来西亚砂劳越流传的福州歌谣《钓鱼郎》之初探，尝试从文本中观察其内容主题书写与歌谣之流传意义，进而结合其中特殊的书写技巧与民俗议题，归纳整理相关中国或闽地文化在马来西亚华人地区的传承性与本地化过程。民间歌谣的研究具有历时性和空间性特色，马来西亚砂劳越的福州歌谣《钓鱼郎》呈现出的中国传统丧葬文化及民间道教信仰的民间传承性价值，对移居海外的马来西亚华人而言具有文化传承和族群情感凝聚里力量；透过这些歌谣，在地说唱者或改编者也进行歌谣在地化的更动，例如联章体歌谣的书写型态及内容之多元呈现。由此观察，这篇《钓鱼郎》对马来西亚华人社会文化研究或是民间文学整理，都具有一定的价值和意义。
英文摘要：The objective of this article is to study the folk literature of overseas Chinese. We will be using Fú Zhōu Folksong ”Dìao Yú Láng”(钓鱼郎) from Sarawak of Malaysia as our text. And we will be observing its contents, writing skills, folk issues, and significance of circulation. We can then conclude whether the process of Chinese or F-Jiàn traditional culture is maintained or locally transited. Folksongs study has diachronic and coextensive characteristics. Fú Zhōu folksong ”Dìao Yú Láng” (钓鱼郎) from Sarawak of Malaysia shows a traditional Chinese funeral culture and folk beliefs. This Folksong is able to pass on the culture and agglomerate ethnic groups' emotions. We can also discover the local artists or adapters making some local changes, just like adding ”lián zhāng tĭ” (联章体) and other folklore contents into this folksong. Through this study, we believe that ”Dìao Yú Láng” (钓鱼郎) should have certain value and significance in regards to the research of Chinese society and culture or the collect ion of folk literature in Malaysia.
起始页-结束页：97-129
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

朱卿

1
篇名：河阳稀见宝卷《牛郎织女》的发现及其价值
并列篇名：The Discovery of "Niou-lang and Jr-niu" in the He-yang bau jiuan
作者：陈益源(Yi-Yuan Chen);李淑如(Shu-Ju Lee)
关键字：河阳宝卷;四大传说;牛郎织女;地方民俗;He-yang bau Jiuan;The great four legends;Niou-lang and Jr-niu;folkways
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：河阳宝卷的搜集与出版是民间文学研究上的一件大事。宝卷研究因宝卷数量的庞杂须按类别系统爬梳整理，此项工作常耗费以往研究者大量的时间与精力，这是宝卷研究困难的所在，但也是宝卷研究珍贵的地方。除此之外，还有一个值得注意的是新文献的独特价值，河阳宝卷有许多未曾见於其他系统的稀见作品。据高国藩〈《中国．河阳宝卷集》〉序的统计，以往宝卷书目未曾着录者多达五十余卷，今就其中的《牛郎织女》卷作探讨。牛郎织女是中国四大传说之一，关於四大传说，不论是《白蛇宝卷》、《梁祝宝卷》、《孟姜女宝卷》历来都见传抄本收录於宝卷集中，但唯独未曾见过《牛郎织女》卷本。稀见的《牛郎织女》以独特的现代汉语写成，为宝卷文学注入活水，有了不同的生命力。它融合了长久流传的民间故事，以宝卷的体式、说故事的口吻，给予童蒙教育良好的教材。
英文摘要：The collection and publication of the He-yang bau jiuan(one of the precious and ancient book) is a fabulous breakthrough in folk literary circles. The most precious part in bau jiuan study is classifying bau jiuans into different categories, thus it is also the hardest part, because of the large quantity of those old books which can takes years to record. However, another interesting thing is the unique value of the new literary document, because we found some brilliant works in the He-yang bau jiuan, which had never been found before. According to Dr.Guo-fan Gau's statistical research, there are more than fifty volumes of bau jiuans haven' t been recorded yet. However, the main issue today is about the part of Niou-lang and Jr-niu in the He-yang bau jiuan. Bai she chuan, Liang ju, Meng jiang niu as well as Niou-lang and Jr-niu, are the four greatest legends in Chinese culture. Before this exciting discovery of finding records of Niou-lang and Jr-niu, we have already found the ”shou chau ben” (which records information or stories that were written by ancient people) of the other three. It was written in contemporary Chinese character, which gives Chinese literature brand-new ideas as well as concepts, beautifying articles and stories to be more vivid. Furthermore, it successfully combined Chinese folk stories with the old written frame of bau jiuan, presenting a fantastic Chinese legend to children as a good learning material.
起始页-结束页：101-116
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

2
篇名：由仙入凡的情节转折—试论明清小说戏曲中的牛郎织女故事
并列篇名：Plot Transition from Fairyland to Secular World, an Argumentation on "The Cowherd and the Weaving Maid" Story in Operas within Ming and Ching Dynasty
作者：丘慧莹(Hui-Ying Chiu)
关键字：牛郎织女（牛女）;下凡;历劫;偷衣;The Cowherd and the Weaving Maid;The Cowherd and the Maid;going to secular world;experiencing calamity;stealing the clothes
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：牛郎织女故事被列为中国四大传说之一，然而相对另三大传说故事—孟姜女、梁祝、白蛇有关研究相对起步较晚，且往往被董永故事与七夕风俗研究所掩盖。历来由於牛郎织女在小说戏曲作品中难得一见，因此对牛郎织女故事研究产生了中间环节的缺缝。本文透过前贤未能寓目的几部明清的文本，分析比较，得主清末小说《牛郎织女》新增的三个情节「思凡—下凡」、「下凡—历劫」、「重返—偸衣」，是首次见到用於牛郎织女故事记录之中，表现出牛郎织女故事由「仙界传说系统」向「凡间传说系统」转折的过渡环节。此後各种关於牛郎织女的故事记录，就多数是在人间世界里开展情节，以致成为牛郎织女情节的主流。足见此作在牛郎织女研究史上具有特殊的地位。
英文摘要：”The Cowherd and the Weaving Maid” was always listed as one of the four greatest Chinese legends. However, research about this folklore was not only comparatively later than the other three: ”Meng-Jiang Maid”, ”Liang, Shan-Po and Chu, Ying-Tai”, and ”The Legend of Lady White Snake” but was covered up by the researches on story of Tung Yung and custom of the seventh evening.It was always rarely to see ”The Cowherd and the Weaving Maid” story played in traditional Chinese opera, so there was a gap and shortage on the research toward the story. By reviewing some original texts which may not be spectacular for predecessors, comparing and analyzing some data, it is found that three plots, added in ”The Cowherd and the Weaving Maid” novel in late Ching dynasty,-”thinking then going to secular world”, ”going secular world and experiencing calamity”, and ”returning to fairyland and stealing the clothes”-were, for the first time, seen to be used in ”The Cowherd and the Weaving Maid” story. The adding of the three plots just expresses the link and the transition from ”fairyland legend system” to ”secular world legend system” for the story. Hereafter, plot of ”The Cowherd and the Weaving Maid” was mainly developed in secular world and became the main stream. The work with transitive plots fully demonstrates its special value on the research of ”The Cowherd and the Weaving Maid” story.
起始页-结束页：117-133
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

3
篇名：会见西王母：《穆天子传》中的西王母与瑶池宴
并列篇名：To Meet with Hsi-wa-mu: The Hsi-wa-mu and Banquet of Yao-chi of the Mu-Tien-tzu Chuan
作者：高莉芬(Li-Feng Kao)
关键字：瑶池宴;西王母;瑶池;《穆天子传》;周穆王;banquet of Yao-chi;Hsi-wa-mu;Yao-chi;Mu-Tien-tzu Chuan;Mu (King of Cho Dynasty)
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：在《穆天子传》中，「瑶池」此一地理「空间」，是事件发生的「地方」；而周穆王与「帝女」西王母在瑶池宴饮的谣歌中又隐涵着宇宙生死的讯息。「瑶池」参与了东西方首长相会的重大事件，是东方人间帝王与西方「帝女」西王母的宴会圣所。於是「瑶池」不再仅是崑仑山上的一湖美丽池水，一个西部地理名词，它承载着丰富多重的象徵意涵，日益受到重视，与西王母之间的连结也日益重要。但「瑶池」究竟是甚麽样的地理空间？是何种地貌地景？是「山」是「池」？还是「湖」？但在《穆天子传》、《列子》等文献中西王母与周穆主会面行觞之地—瑶池，却较少为学界所探究。本文即以《穆天子传》中的西王母与瑶池宴为探索对象，以见「瑶池」以及「瑶池宴」的象徵及其文化意涵。
英文摘要：The ”Yao-chi” of the Mu-Tien-tzu Chuan is not only a geographic space but also a place where something have happened. The poems of the banquet of the Hsi-wa-mu and Mu-Tien-tzu implied the message of life and death ”Yao-chi” is a sacred space where Mu (king of Cho Dynasty) to meet with Hsi-wa-mu (The daughter of God). Since than ”Yao-chi” is not merely the beautiful lake of Kun-lun mountain. It carried rich and multiple cultural meanings ”Yao-chi” have transformed into a symbol of sacred place. This paper represents the symbolic and cultural meanings of the Hsi-wa-mu and the banquet of Yao-chi, which the early studies relatively paid little attendance.
起始页-结束页：135-156
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

4
篇名：观音信仰在我国西南四川遂宁地区的传播—兼谈观音信仰在四川遂宁地区的本土化及女性化
并列篇名：The Propagation of Guanyin Belief in Suining, Sichuan, Mainland China-A Combinative Research on the Localization and Feminization of Guanyin Belief in Suining, Sichuan
作者：邢莉(Li Hsing)
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：印度佛教的观音信仰传到了中国，经历了一个漫长的中国化的过程。中国佛教属於北传的大乘佛教，大乘佛教的核心是菩萨信仰，在佛教中国化的过程中，观音信仰的中国化、本土化占有极为重要的突出地位。关於这个问题，有学者已经研究，并显示了阶段性成果。在继承以往研究的基础上，本文研究的是一个地区观音信仰的本土化和女性化的过程。「观音信仰的中国化是所有外来文化在中国命运走向的一个缩影，是印度佛教文化与中国固有文化不断交往的历史凝结，是适应中国社会背景与文化传统而必然发生的一种嬗变」。
英文摘要：The Guanyin belief in Indian Buddhism has undergone a long process of sinicization on its way being propagated to China. The Buddhism in China belongs to Mahayana and the core of Mahayana is Bodhisattva. During the sinicization of Buddhism, the sinicization and localization of Guanyin Belief plays an important part and many scholars have made great achievement. Based on the previous findings, this research focuses on the localization and feminization of Guanyin belief in a specific region. ”The sinicization of Guanyin belief is an epitome of the destiny tendency in China of all foreign cultures, the historical coagulation of continuous communication between Indian Buddhism culture and Chinese inherent culture. The culture transmutation bound to happen to fit the social background and cultural tradition of China.
起始页-结束页：157-173
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

5
篇名：越南女诗人胡春香及其诗作研究
并列篇名：The Research of Ho Xuan Huong's Han-Nan Poems
作者：陈竹漓(Truc-Ly Tran)
关键字：胡春香;汉喃诗;Ho-Xuan Huong;Han-Nom poem
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：胡春香为十八世纪末十九世纪初越南着名女诗人，着有大量的汉喃诗传世。胡春香的诗作在内容及思想上大受争议，越南历代对其的评价与看法大有不同，甚至矛盾。然而，在形式与艺术上却具惊人的成就，自问世以来一直大受好评。可以说胡春香生平与诗作是越南文学研究一个非常重要却又十分困难的研究课题。近百年来，更成为越南文学、文化界竞相争鸣的园地，甚至吸引了不少史学家的参与，引起越南文学评论界自二十世纪六十年代迄今未休的争论热潮，被称为「胡春香现象」而备受瞩目。本文研究题目〈越南女诗人胡春香及其诗作研究〉研究内容主要为介绍说明「胡春香及其汉喃诗」之概貌与问题史，从而进一步考证胡春香生平与诗作。在综述不同学者的观点与认识，以及部份民间读者对胡诗的传诵之基础上，综合所见各种胡诗版本，理出胡春香诗之概貌，并提出自己对於胡春香诗的基本认识：不同读者对胡诗有不同的反应，他们各自以自己的方式和理想来塑造胡春香及其诗作。
英文摘要：As an 18th century Vietnamese poet, Ho-Xuan Huong was known to be an unusual poetess by her very feminist determination to write about the seductive elements of life. In an late 18th and early 19th century-society that shunned women, she not onIy learned to read Nom, the Vietnamese language at the time, but also managed to write poetry in both Nom and Chinese character. Her words were full of double meanings, sarcastic at times but also sensual at others. But it is not just the ideas behind her words that make the difference: her poems are beautifully constructed and elegant.Ho-Xuan Huong is widely known as one of the greatest poets of Viet Nam. Vietnamese people always consider her the Queen of Nom-poem. But her revolution mind in writing also make her to become the most controversial poet in Vietnam literature research field.This paper mentions about Ho-Xuan Huong, her life and her works in two parts: the initial introduction of Ho-Xuan Huong's works (both in Nom and Chinese character); and thereupon making a comprehensive survey the researching works of Ho-Xuan Huong and her poem in VietNam.
起始页-结束页：175-185
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

6
篇名：游鱼和鱼乾—论民间艺文和现代科技
作者：金荣华
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
起始页-结束页：19-23
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

7
篇名：论「张坚固、李定度」的形成、发展与民俗意涵—以买地券、衣物疏为考察对象
并列篇名：On the Formation, Development, and Custom Significance of "Zhang-jian-gu, Li-ding-du"-Studying maidiquan, yiwushu
作者：郑阿财(A-Tsai Cheng)
关键字：买地券;衣物疏;砖契;张坚固;李定度;见证人;maidiquan (burial-plot purchase contract);yiwushu inventory list;juanqi (brick contract);Zhang Jiangu;Li Dingdu;witness
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：「买地券」、「衣物疏」盖基於「灵魂不灭」的观念体系，事死如生的丧葬文化下所产生的明器一类文书。其形式均仿自现实生活的相关文书。一般例有见证人：初期以一般人名充当，後因信仰而有改以「东王公、西王母」担任见证人，之後更有「张坚固、李定度」具专职的出现。本文根据出土的买地券、衣物疏等展开「张坚固、李定度」的形成与发展的考察。透过考察可知：作为阴间土地买卖契约的买地券，是用以向阴间的冥吏及周围的墓主展示死者对墓地的土地所有权。其券文形制与内容源自现实世界实际生活中的契约，旨在标示地界范围，以确保墓地不被侵犯；既明示东、西、南、北四角封界，同时又需有「见证人」，以加强其法律效力。「随葬衣物疏」的内容反映出丧主对阴世的一些情况的幻想，如阴间抢占冒认财物的现象，所以写「随葬衣物疏」具有开具财权证书的作用。从现存各买地券及随葬衣物疏的分析中，可考察「张坚因、李定度」在葬俗的意涵；以及从现实世界土地买卖见证人，到冥界幽契的象徵意义；甚至与道教神仙信仰相结合；为佛教葬俗、地理堪舆所融摄的发展历程。
英文摘要：Maidiquan (burial-plot purchase contract) and yiwushu (inventory list) are burial objects that connote beliefs concerning the inextinguishable soul and the afterlife. The forms of these documents are made to resemble related documents in real life. Witnesses generally accompany these documents; for early cases, names for ordinary personage are used; in later cases, deities Dong-wang-gong and Si-wang-mu were invoked to act as witnesses; finally, divine officials Zhang-jian-gu and Li-ding-du were established to be regular witnesses.This paper is a study on the formation and development of the two divine officials Zhang-jian-gu and Li-ding-du through unearthed maidiquan and yiwushu. This study finds that maidiquan is a type o f netherworld contract which displays ownership status of the deceased to netherworld officials. The maidiquan resembles real-world land contract, indicating the dimension of land to ward off indignation. The contract states the east, west, south, and north limits, and lists witnesses to accredit its legality. The yiwushu listings reflect the grave owner's fantastic projections of what the netherworld would be like, such as the possibility of property being inappropriately or wrongfully claimed by others; the yiwushu inventory has the function of a property right certificate.From existing maidiquan and burial yiwushu, we can study the significance of Zhang-jian-gu and Li-ding-du in burial customs. We can also study the symbolic significance of real-world property transaction witnesses being transmogrified to netherworld contract witnesses, and even merging with Taoist deities, Buddhism burial customs, and Feng Shui practices.
起始页-结束页：25-51
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

8
篇名：中国曲艺与年画
作者：李福清(Boris Riftin)
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
起始页-结束页：3-18
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

9
篇名：说「结发」—从「过渡礼仪」与「头发巫术」视角的研究
并列篇名：What Is Hair-Knotting?-A Study Integrating Viewpoints of "Rites of Transition" and "Hair's Black Magic"
作者：鲁瑞菁(Jui-Ching Lu)
关键字：结发;合髻;成年礼;婚礼;过渡礼仪;巫术;hair-knotting;hair worn in a bun or coil;maturity ceremony;wedding ceremony;rites of transition;black magic
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：本文就「结发」一词的深层背景、历史发展与底蕴内涵，进行研究与讨论，指出文献中「结发」一词之义是宽泛的，不能一概而论，「结发」或指先秦婴童剪发成「角羁」；或指先秦成童的发式「总角」：或指先秦贵族男女成年加冠、及笄礼之初步程序；或指先秦贵族女子许嫁後「缨发」的身份象徵；或指古代女子已嫁後「髻发」的身份示别；或指唐宋以降「合髻」的成婚仪式。至於死亡入殓时亦必有「结发」的整容仪式，只是文献无徵，亦难以俱论。
英文摘要：This is a study and analysis of the inner background, historical development and in-depth connotation of hair-knotting, with the intention of showing that it has a general and not confined meaning. The hair-knotting may be the hairstyle of minors of the pre-Qin dynasty, or it may refer to as the hairstyle of the pre-Qin adolescence. It may also be the initial procedure of the maturity ceremony of pre-Qin nobles, or the identification of married women in the pre-Qin period of time or ancient China; or even a part of the wedding ceremony from the Tang and Song Dynasties. In addition, hair-knotting was also performed in funerals, however there was no record found and thus unable to discuss about.
起始页-结束页：53-72
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

10
篇名：杨云萍的民俗文化观与民俗研究之特色
并列篇名：The Characteristics & Concepts of Folk Studies of Yang Yun-Ping
作者：洪淑苓(Shu-Ling Horng)
关键字：杨云萍;民俗研究;民俗台湾;台湾风物;台湾文学;Yang Yun-Ping;Folk studies;Folk Taiwan;Taiwan Folklore;Taiwan literature
期刊/会议论文集名称：民间文学年刊
卷期：2期增刊
出版年：2009
中文摘要：杨云萍先生（1906-2000）为台湾大学历史系教授，也是日治时期台湾文学运动的重要人物，对於台湾民俗研究也有卓着贡献。本文从杨云萍参与的有关民俗之活动及着作中，探讨其民俗文化观念与民俗研究的特色。杨云萍曾参加日治时期《民俗台湾》、战後《台湾文化》、《公论报》「台湾风土创刊」及《台湾风物》刊物的撰稿与编辑工作，对於民俗研究，坚持台湾文化的主体性，强调研究者须有理解、爱与谦逊的态度。更大声呼吁及时进行古蹟保护，了解民俗始能谈到改革；对女性民俗研究也相当关注。其民俗研究的内涵与特色有四：一，立足於地方文史研究，表现乡土之爱；二，耙梳文史材料，兼纳民间传说；三，采录民俗，予以诠释或批评社会风气；四，收藏民俗文物，研究庶民生活。杨云萍以知识份子的身份而关注民间文学与民间文化，其对民俗的热情与民俗研究的理念，尤其值得後来的学者参考。
英文摘要：Mr. Yang Yun-Ping was a professor of the Dept. of History of National Taiwan University. He was an important person of Taiwan Literature Movement in Japanese Colonia l Period. He made important contributions to Taiwan Folk Studies, too. Therefore this paper will discuss the characteristics & concepts of Folk Studies of Yang Yun-Ping by his activities of Taiwan Folk Studies and related works. Yang Yun-Ping had been the editor or writer of those famous magazines and Newspapers, like Folk Taiwan, Taiwan Culture, Taiwan Customs: Supplement Section of Gong-Lun News and Taiwan Folklore. He insisted on the subject of Taiwan culture and emphasized the attitude of reason, love and modesty while he took researches of Taiwan folklore. He also appealed to protect antiquities promptly. He ever said that it may improve the folk customs while they were understood. Besides that, he concerned the Studies of Women's folk. There are 4 points to figure out to Yang Yun-Ping's folk study: (1) based on local history and literature, therefore to represent love of local country; (2) analyzing both of historical and literal materials and including folk legends; (3) trying hard to collect folk customs, then annotating or criticizing the phenomena of Taiwan society; (4) rich in collecting folk products in order to search daily lives of ancient common people. Yang Yun-Ping was a scholar but he really concerned folk literature and folk culture. His passion and concepts of Folk Studies is a good model to scholars of the present age.
起始页-结束页：73-100
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

朱卿

1
篇名：宝卷漫录（五篇）
并列篇名：The Collection of Bao Juan (5 Volumes)
作者：车锡伦(Xi-Lun Che)
关键字：《雪山宝卷》;《丝縧宝卷》;《蝴蝶宝卷》;《小猪卷》;xue shan bao juan;si tao bao juan;hu die bao juan;xiao zhue juan
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：本文为笔者浸淫宝卷多年所做之宝卷笔记五种，文中记录了包括早期民间佛教演唱释迦牟尼成道经过之《雪山宝卷》、後期先天教据早期佛教宝卷改编之《雪山宝卷》，还有以百姓反抗官府迫害的故事为主体，侧写日晚清民间生活百态的《丝縧宝卷》、以庄周试妻故事丑化诅咒寡妇的《蝴蝶宝卷》，以及篇幅短小却极具娱乐性的劝世故事《小猪卷》五种；并记录了这五种宝卷的背景及相关资料，供研究者参考。
英文摘要：The writer wrote a note of 5 bao juan in this article: Folk Buddhism sang and talked the story of Shi Jia Mou Ni became Buddha in《雪山宝卷》(xue shan bao juan) earlier. According to early Buddhism bao juan, religion of Xian Tian rewrote《雪山宝卷》(xue shan bao juan) later,《丝縧宝卷》(si tao bao juan) was talked about the story of people resisted fatuous government, and was described Chinese people's life in the 19th century. People used the story of ”Zhuang Zhou tested his wife” to smeared and cursed widow in 《蝴蝶宝卷》(hu die bao juan), 《小猪卷》(xiao zhue juan) was short, but it was a entertaining parable. The writer also talked about background and related information of this 5 bao juan. It supply researchers a reference.
起始页-结束页：11-25
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

2
篇名：从民间文学观点谈小林村平埔文化的重建
并列篇名：The Reconstruction of Pingpu Culture in Xiaolin Village from the Perspective of Folk Literature
作者：颜美娟(Mei-Chuan Yen)
关键字：小林;民间文学;平埔文化;文化重建;Xiaolin;folk literatureingpu culture;cultural reconstruction
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：高雄县甲仙乡的小林村在2009年，莫拉克台风受创严重，惨遭土石掩埋，几乎灭村，原本正紧锣密鼓地筹备平埔祭典（每年农历9月15日），加紧练习的小林村民，却在一夕之间，全村四百多位村民、生活空间、传统文化悉化为乌有。平埔族群文化的保存、灾後文化的重建、族群文化特色的建立、文化如何永续发展，成为上至政府高层、各个专业领域的学者专家、在地关怀平埔文化的文史工作者，以及经历劫难的灾民本身，所共同关切的问题。本文探讨小林村自1996年以来，社区发展强调平埔族文化，使平埔族夜祭成为当地发展观光的特色，但其中却隐藏着潜在的隐忧－语言消失，平埔文化与现实生活脱节，文化传统支离碎裂，夜祭沦为观光化，失去其原有的意义。如今又面临整个社区因遭掩埋，村民大量伤亡，要另觅新地全面迁村重建，肩负传承文化的传承人（Tradition Bearer）消失，剩下的村民被迫分散、选择新居地，小林村平埔文化如何传承？如何重建？本文以过去学者专家对小林村所做的平埔族调查研究，留下丰富的影音文献资料，加上自己过去在小林所做的调查经验，从民间文学的角度观察，认为文化重建若能充分运用这些文献资料，加强中小学认识自我族群的基础教育做起，重新找回与祖先传统文化的连结内键，文化传承的危机必然会是转机。
英文摘要：In 2009, Xiaolin Village (小林村), Kaohsiung County, were almost vanished after landslides caused by Typhoon Morakot devastated the area. Intensely preparing the Ritual of Pingpu (September 15, every lunar year), more than 400 villagers of Xiaolin had been buried alive. The reservation of Pingpu culture, the reconstruction of culture after the disaster, the construction of tribe culture and sustainable development of culture were concerned by the government, the experts, the researchers of Pingpu culture, and the villagers facing the disaster. The study investigated the community development of Xiaolin Village since 1996. It focused on Pingpu culture and the night ritual of Pingpu tribes became a characteristic of tourism development. However, it revealed a potential worry, the disappearance of the language. The separation between Pingpu culture and the real life, the breakdown of cultural tradition and the tourism of night ritual lost its original value. Now the whole community was almost buried and a lot of villagers were dead and injured. The survivors were forced to rebuild their village and the tradition bearers disappeared. From the perspective of folk literature, this study emphasized the importance of the previous investigation for the reconstruction of culture as well as the recognition of our tribes from the basic education of primary and high schools to search for the traditional culture of our ancestors. Finally the crisis of culture will become a favorable turn.
起始页-结束页：125-140
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

3
篇名：历史事件与地方传说的系联－以台中市四张犁戴潮春事件田野采录为例
并列篇名：Historical Events VS Local Legends: Dai, Chao-Chun's Event
作者：李世珍(Shih-Chen Li);陈玲珠(Ling-Ju Chen)
关键字：戴潮春;四张犁;红旗公;义雄爷;戴大王公;Dai, Chao-chun;Si-Zhang-Li;Hong Qi Gong;Yi Xiong Ye;Dai Da Wang Gong
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：历史事件的记录显示执政者的立场，往往因为时代背景与执政者的政治考量，地方传说的叙事系统是和官方相左的，一如 孙中山先生，满清视为革命乱党；在民国建立以後被尊为中华民国的国父；又如廖添丁，对日本政府来说，他是令人头疼的人物；但在台湾人民心中却视其为劫富济贫的义贼。本文以台湾三大民变之一的戴潮春事件为例，比对官方历史记录、文人诗作与四张犁在地的传说，从官方与民间的叙事立场，重新检视历史人物的定位，期待能够还原部份历史真相。笔者在从事四张犁田野调查工作时，得到许多在地文史工作者的协助，尤其是四张犁文化发展协会陈玲珠理事长，不仅提供耆老访谈的名单与她个人的田野笔记，甚至亲自带领笔者走访四张犁各个与戴春事件有关的建筑物与地点，强化四张犁田野资料的丰富度，由於她的协助，使本文的内容与四张犁在地的系联更加密切精准。本文自四张犁戴潮春地方传说谈起，不论是地名、庙宇或是俗谚，都点点滴滴记录四张犁居民对於戴潮春的感念。由四张犁延伸到大甲义雄爷庙、竹山红旗公庙、北港义民庙与民雄戴大王公庙等其他各地与戴潮春事件有关的地方传说，经由田野调查、文献比对与口述资料研判，本文将一系列与戴潮春相关的地方传说一一罗列整理，希望对於台中市在地文史资料的建构能够贡献棉薄之力，也期待在台湾三大民变之一的历史记载之外，开启另一扇民间学术研究的大门。
英文摘要：Recorded historical event's demonstrate that the leadership's point of view of government, normally because of the time, background and the political climate of the leaders, the local legends are completely different from the official record, for example, after the establishment of the Republic of China, Dr. Sun Yat-Sen during the Qing Dynasty, best known for the revolutionary rebellion, was named the father of Republic of China. Liao Tain-Ding was considered a thief during the time that Japan ruled Taiwan, but to the Taiwanese he was regarded as a righteous thief who greatly helped the poor. This article exams one of the three revolutions in Taiwan called Dai, Chao-Chun as an comparison between the official historical record, poetry and local legends in Si-Zhang-Li. Using the official point of views and then coparenting to the individual's memory, we inspected the historical value and expect to be able to restore part of the factual history. The author received a lot of help when she was doing her research in Si-Zhang- Li and got assistance form local literature and history workers. In particular, Director Chen Ling-Zhu who not only provided a list of names of elders to interview, but also her own research notes. Director Chen also personally led the author to visit each building related to the Dai, Chao-Chun's event. Her assistance helped to strengthen and confirm facts and other information for what was being researched to help give a more accurate picture of what occurred there.
起始页-结束页：141-160
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

4
篇名：香港朱大仙信仰的来源、建醮与展望
并列篇名：The Chu, Tai-Sin Belief of Hong Kong: Origin, Rituals and Perspectives
作者：郑炜明(Wai-Ming Cheng);龚敏(Man Kung);罗慧(Hui Luo);余颖欣(Wing-Yan Yue);陈德好(Tak-Hou Chan);林恺欣(Hoi-Yan Lam)
关键字：香港;朱大仙;渔民;大澳龙岩寺;香港仔合胜堂;Hong Kong;Chu, Tai-sin;Fishing population;Tai-O Lung Ngam Monastery;Aberdeen Hap-Sing-Tong
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：中国沿海渔民信奉水神，多有供奉天后、观音、洪圣等神只，以祈出入平安，渔汛大顺。然而，在港、澳地区，却有一部份渔民以供奉「朱大仙」为主神，并且称之为「契爷」的信众，并於每年农历三月至六月期间进行水、陆「打醮」仪式，实为港、澳地区最富特色的民间信仰之一种。2008、2009年，我们连续两年分别前往由香港大澳龙岩寺、香港仔合胜堂举办的朱大仙醮会进行田野调查，对於朱大仙的传说、醮会及信众等进行了摄录与采访，逐渐了解信众与朱大仙神只都面临着信仰传承的困境。因此，本文以香港渔民的朱大仙信仰为题，从文献整理、田野调查报告，以及渔民的生态与心态等方面，观察、论述朱大仙信仰随着香港社会、经济的改变，而必须需面临的调整与转变。
英文摘要：To solicit peace and wealth, the costal fishermen of China generally worship aquatic gods such as Matsu, Avalokiteśvara and Hung Shing. In certain fishing population of Hong Kong and Macau, however, the Chu, Tai-Sin is worshipped as the chief deity whose land or water cults are held during the 3rd to 6th lunar months each year, making it one of the most unique folk religions of the region. From 2008 to 2009, field investigations were carried out on the two local Chu, Tai-Sin cults respectively held by Tai-O Lung-Ngam Monastery and Aberdeen Hap-Sing-Tong. The legends, cult rituals and the believers of Chu, Tai-Sin were the focus of the field study. This article is therefore to explore the Chu, Tai-Sin Belief of Hong Kong in aspects of literature review, field study, and the social-mental condition of the local fishing population. The inevitable changes of the religion under the social-economic development of Hong Kong are also elaborated and discussed.
起始页-结束页：161-178
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

5
篇名：段宝林先生之立体文化论
并列篇名：A Concept of Six-dimensional of Culture from Professor Duan, Bao-lin
作者：陈劲榛(Chin-Chen Chen)
关键字：段宝林;民间文学;民间文化;立体性;Duan, Bao-lin;Folk literature;Folk-lore;Concept of six-dimensional of culture
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：段宝林先生以「立体性」解释民间文学，向为民间文学界所熟知。本文则认为其立体性观念已从民间文学扩大到对整体文化的解释，因此实际上是一种立体文化论。文中着重说明段先生取万事万物立体性以解释个别事物特徵的思维理路，并对段先生「六维立体」各维之意义及其相互关系做考述推论。文末并陈此一学说之现代意义。凡有商讨，务求以先生之说解先生之说。於所不解，或出己意。爰草此文，以为读先生书之心得。
英文摘要：Mr. Duan, Bao-lin is a well-known folk literature scholar of China. His concept of six-dimensional of culture has large influence in China. This article descripts the definition of six elements, and discusses the relationship between the various elements.
起始页-结束页：27-41
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

6
篇名：故事家和故事村的发现
并列篇名：The Discovery of the Storytellers and Their Villages
作者：段宝林(Bao-Lin Duan)
关键字：故事家;故事村;立体研究;生态环境;Storyteller;Story village;Stereoscopic studies;Environment
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：此文是民间故事研究从平面的文本向立体的创作流传生态情景不断深入的产物，文章回顾了从30年代以来故事家和故事村发现和研究的的过程。认为从农村和闭塞山区的故事家、故事村，到交通要道村镇的故事家故事村的发现，扩大了人们对故事生态的视野，为进一步深入进行故事的立体研究开辟了道路。
英文摘要：From text to context, studing folktales stereoscopicly is one of the most important methods of modem folkloristics. It has been 70 years since we discovered the torytellers and their villages, and then started to study them simultaneously. In the beginning, storytellers who lived in the remote places were more attractive to scholars. Now, more and more scholars start to pay attention to storytellers who live in modem towns and counties. There are more materials avaliable for us to study folktales stereoscopicly.
起始页-结束页：3-10
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

7
篇名：周扬的民间文艺学思想
并列篇名：The Thoughts on Literal Criticism in Folklore of Zhou, Yang
作者：毛巧晖(Qiao-Hui Mao)
关键字：解放区学者;周扬;民间文艺学;scholars from the liberated area;Zhou, Yang;Literal criticism in folklore
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：中华人民共和国成立後，民间文艺学领域出现一个突出的群体－解放区学者，他们对於民间文艺的研究围绕「为人民大众的文艺」展开，其中最具代表性的就是周扬。周扬在民间文艺的研究中具体表现为：强调对民间文学形式和功能的利用、民间文学内容的人民性和尊重历史的原则。周扬重视和研究民间文学是为政治追求服务，是构建新中国人民文艺的具体实施，这一思想对於20世纪下半叶民间文艺学的发展有着深远的影响。
英文摘要：After the founding of the new China in 1949, there emerged a striking group in the folk literature-scholars from the liberated area. Their researches focus on ”Art and Literature for the Mass”. The preventative of this group is Zhang Yang. The core of Zhou, Yang's literal criticism is ”People's Art”. The manifestation of this group's research emphasizes the utility of the literal forms and functions of the folk literature, and the literal creations to serve for the mass and respect of the history. Their focus on folk literature demonstrates their political pursuit, and they have constructed the specific polities of the new people's art and literature of the new China. This group's thought has exerted a very important influence on the literal creations of the folklore in the second half of the 20th century.
起始页-结束页：43-52
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

8
篇名：陆瑞英伦理型民间故事讲述的儒家文化人格实践
并列篇名：The Practice of Confucian Cultural Personality of Ethic Storytelling by Ru, Rui-ying
作者：宣炳善(Bing-Shan Xuan)
关键字：陆瑞英;故事讲述;儒家人格;孝子文化人格;文化人格实践;Ru, Rui-ying;Storytelling;Confucian morality;Cultural personality of filial sonractice of cultural personality
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：伦理型民间故事的讲述是传统儒家伦理的孝子文化人格与君子文化人格的现场实践过程。江苏省常熟市陆瑞英的伦理型民间故事讲述，具有一定的批判性与民间戏谑精神，体现了陆瑞英对人性的观察，表现了民间艺人宽容通达的文化心态。陆端英故事伦理主题十分突出，如孝子型伦理故事、夫妻型伦理故事、兄弟型伦理故事、朋友型伦理故事等。在陆端英的伦理型民间故事讲述中，养女儿是福气的观念在一定程度上也是对传统儒家伦理的修正。
英文摘要：Ethic story telling is also the process of practice of Confucian cultural personality of filial son and gentleman. To some extents, Ru, Rui-ying's Ethic storytelling has the spirit of criticism and cynicism, displaying her observation on human nature, also showing her attitude of cultural tolerance. Ru, Rui-ying's storytelling focuses on the topic of morality, like the type of ethic story of filial son; the type of ethic story of husband and wife; the type of ethic story of brothers; the type of ethic story of friends The notion of nursing girl as the blessing of life is also provided in the Ru, Rui-ying's storytelling, so her personal conviction is also the modification of traditional Confucian morality.
起始页-结束页：53-70
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

9
篇名：叹烟花的具体事例－有关「蒋老五殉情案」俗曲（时调）研究
并列篇名：A Prostitute Sighed Mournfully in Shanghai 1920-The Research of Popular Tunes about the Suicide Case "Jiang, Lao-Wu"
作者：林仁昱(Jen-Yu Lin)
关键字：俗曲;时调;民初曲本;苏沪曲本;蒋老五案opular tune;Narrative song;The song books of Shanghai;The song books of 20 century;The suicide case "Jiang, Lao-Wu"
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：二十世纪初，随着社会环境变迁，许多原本咏唱风花雪月、男女情思或唱述民间故事、小说戏曲题材的俗曲（时调、小调），也接纳了许多新的题材。其中，许多社会新闻事件，由於贴近民众生活的场域，正为民众茶余饭後所谈论、所关注，当更为俗曲所咏唱。如本文探究的对象，即为1920年代咏叹烟花女子蒋老五（红英）殉情案的俗曲，而此类俗曲中所咏叹的「当事人」－蒋老五，从其出身、遭遇及下场，均能充分诉说了烟花女子堕入风尘的不幸之缘，可以说是传统俗曲「叹烟花」（或「烟花叹」）、「烟花女子叹十声」、「妓女伤怀」，乃至於「烟花托梦」、「烟花告阴状」之「具体事例」。因此，本文除针对「蒋老五殉情案」相关俗曲（时调）作曲本分析与探究，并以数种「叹烟花」俗曲与之对照，以呈显其作为大众娱乐，且相应於「二十世纪初」、「上海」这样的特定时空条件，於抒情与叙事表现上的内涵、意义与娱乐效果。
英文摘要：There were many popular tunes expressed prostitute's lament of teahouses and taverns in Shanghai, Soochow on the Qing Dynasty. In the first period of 20th century, the similar subject's tunes were still popular. The suicide case ”Jiang, Lao-Wu” in 1920 became a common theme in popular tunes. This leading lady was a prostitute. Her suicide for love was considered that is inconceivable. Some popular tune authors admire her behavior, and her life experience causes the sympathy. Therefore, many popular tunes about the suicide case became the concrete instance of the traditional theme about a prostitute sighed mournfully. The paper will display the exploration selection origin and the popular background, and penetrate song book clues on title note, Analysis lyrics content, discusses the performance skill (including to sing type, application melody), as well as it is popular in populace's significance.
起始页-结束页：71-94
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系

10
篇名：衡山民间传说初探
并列篇名：A Primary Study on the Folkloers of Mount Heng
作者：丁肇琴(Zhao-Qin Ding)
关键字：衡山;民间传说;慧思;王夫之;摇钱树;Mount Heng;Folklores;Hui-Si;Wang, Fu-Zhih;Money tree
期刊/会议论文集名称：民间文学年刊
卷期：3期
出版年：2009
中文摘要：衡山为中国五岳中之南岳，民间传说资料十分丰富。本文采用各类书籍中较重要的民间传说加以比对研究，分为衡山概述、衡山民间传说的分类、衡山重要传说的考察、衡山民间传说的特色等章。得出的结论为：一、以地方风物传说和人物传说为大宗，土特产及植物传说、习俗传说虽较少却有特色。二、内容以劝善惩恶为主，并反映佛道并存的现象；人神之间互动良好，八仙的传说也较多。三、与上古神话及历史关系密切，如神农、祝融、大禹等神话人物，六朝高僧慧思、反清学者王夫之均为衡山传说之要角。四、与东、西两岳的传说相较，南岳传说最为平实内敛。
英文摘要：Among the five sacred mountains, Mount Heng is located in the south of China. This paper will do some research on Mount Heng from the aspects of its folklores. This paper will be divided into four sections: (1) introduction to Mount Heng, (2) the classification of the folklores of Mount Heng, (3) the survey of the important legends of Mount Heng, and (4) the features of the folklores of Mount Heng. The conclusion drawn from this research can be characterized into four points. Firstly, the folklores of Mount Heng mainly focus on their legends of local customs and historically celebrated figures Secondly, the contents of the folklores of Mount Heng establish their doctrines as promoting goodness and punishing evilness and reflect the coexistence of Buddhism and Taoism. Thirdly, the folklores of Mount Heng have a close relationship with the pre-history myths and historical figures. Fourthly, compared with the legends of Eastern Mount Tai and Western Mount Hua, those legends of Southern Mount Heng seem to be the most straightforward and simplest.
起始页-结束页：95-123
资料语文：繁体中文
主题分类：人文学＞语言文学
出版单位：东华大学中国语文学系